Bookperformance is a concept coined by Çiğdem Mirol in 2011. Written as a single word, it manifests the compossibility of book and performance as the reflection of life. It is embodied as co-creative texts and acts, where multi-sensory perception leads enaction. This way, it fosters life’s spontaneous nature, connecting individual and societal insights. Rooted in love as life’s essence, it emphasizes “we are all one” through shared authority, diversity, and transparency. MyFace is the first textual Bookperformance with four echoes composing a quartet. It radically collapses categorisation and norms imposed upon life’s expressions. Therein, the author sends a love letter to the reader; readers are invited into a spiralling text;  and “Bookperformance Manifest” emerges unexpectedly, marking the transition from Mirol’s MA to PhD: “holding space for life’s unfolding authorship”. Bookperformance enacts multilingual, multimodal manifestations in the wor-l-d while Mirol has concurrently created the syneasthetic alphabet of sonic bodies for it. She draws/paints/writes what is invisible yet present in the vibrational field of sound/music/aura. Calibrated through the Well-Tempered Clavier in what Mirol calls “imperfect-circulation,” her alphabet fine-tunes all Bookperformance. She has live-exhibited compositions from Satie, Cohen, Liszt, Ravel, Einadu, and and Life itself (in hz). Bookperformance is not fully indexable through search engines, because for Mirol authority and access shall be ethically distributed through selected entries across this website, instagram(@bookperformance), and lived enactments, with reflections here. Co-created works are subject to co-authorship and support planting trees as a reverence to nature. Works with children unfold freely through schools as a reverence to the future. Mirol's individually created works circulate within her authorship as an authentic resonance within the culture. This conceptual field is what she calls "differentiation-without-separation": Performancebook.